Online · Club, bar and bedroom setups

Mixes that hold,
tracks that finish.

Two problems, one cause: no structure. Sets wander because nothing was planned past the next track, and projects die at eighty percent because nobody decided what finished meant.

  • 6–12weeks per program
  • 48 hfor a mix review
  • 8 maxin a live session
  • $0mix review
PROGRAM · WEEK 5 OF 10 Mixing basics 50 % complete Beatmatch by ear daily Record one 30-min mix Three clean transitions Cut the track pool to 40 Live session Wed · 9:00 PM Coach feedback « EQ the bass out sooner »
The programs

Four programs, all reviewed on recordings you make

Record the mix, record the track, and get notes with timestamps. That loop is the whole thing.

How it works

Record it, listen back, fix one thing

In the moment a transition always sounds fine. On a recording, the clash at bar nine is impossible to miss.

Free mix review

Send thirty minutes of mix. We'll tell you the one habit costing you the most.

Practice with intent

Specific transitions and specific tracks, not two hours of noodling.

Record every week

Mixes and track bounces, imperfect and honest.

Timestamped notes

Within 48 hours: exactly where it went wrong and what to do instead.

Plans

Pick your level of support

Month to month, cancel anytime. The 20-minute mix review is free.

Group sessions

A weekly session where members' mixes and tracks get pulled apart.

$29/ month

  • One 90-minute live session each week
  • Groups of 8 people maximum
  • One member's mix reviewed each week
  • Practice drills and track lists
  • Replays for 30 days
Join the group

Residency prep

For a first residency, an EP, or pushing seriously at your local scene.

$165/ month

  • One 45-min session each week
  • Replies within 24 hours
  • Sets built and rehearsed with you
  • Tracks taken to finished and exported
  • Access to all group sessions
Talk it through

Prices in USD. Cancel anytime, no contract.

A typical week Mon Practice Tue Session Wed Record Thu Listen Fri Review
How we work

Not an agency, not a label

Virellox books nobody, signs nobody and takes no cut of anything. Be careful with anyone who charges for exposure, guaranteed slots or playlist placement — that industry is full of it.

We also keep clear of rights. Play and remix what you own or have licensed; we don't clear samples, we don't provide legal advice, and if you're planning a commercial release with somebody else's material, that's a conversation for a lawyer.

See how we work

Frequently asked

The questions we get most

Do I need CDJs?

No. A basic controller teaches everything that matters, and we'll cover the differences so club gear isn't a shock. We sell nothing and recommend by need.

Is using sync cheating?

It's a tool. We teach beatmatching by ear anyway, because it builds the timing awareness that makes everything else easier — then use sync if you like.

Can you get me gigs?

No. We're not an agency and take no commission. We coach the skills and the approach; bookings come from your local scene.

Which DAW should I use?

The one you already have. Switching is the most common form of procrastination in production, and we'll say so bluntly.

Can I release a remix?

Only with the rights to do so. We explain how it generally works and we're not lawyers — clearance is a legal matter, not a coaching one.

Can I cancel anytime?

Yes. No contract, no minimum term. Access stays open until the end of the month you already paid for.

Want honest notes on a mix?

Thirty minutes of your mix, twenty minutes of feedback, free.